Mahyna, a dissatisfied Russian peasant girl, marries Boris and comes to New York in search of "the soul of love," only to become a drudge in their cheap flat. Meanwhile, Boris, a bookshop keeper, dreams of a prosperous future from the book he is writing. Their boarder, Dave, a partner in a gambling establishment, makes a play for Mahyna; she is tempted to leave with him when Eddie, a former admirer, arrives on the scene, and the two get into constant arguments over her.

A woman attends the wake of a friend she knew as an infant.

Maggie welcomes four of her oldest friends back home after the unexpected death of one of their own. She convinces them to fulfill a childhood pact - destroy all evidence of their friend’s most embarrassing secrets. Their plan proves less than fool proof when long-buried resentments begin to rise, and the group realizes Maggie is dealing with more than the loss of a friend.

Based on the Ann Rule novel, about a woman who for decades killed family members who dared to cross her.

Rachel and Tom Stockman are the perfect couple. The only thing they lack is a child. But Rachel has a rare mental disorder, which can cause irreversible birth defects. With all the odds against them, it seems that Tom and Rachel must be reconciled to being childless. But Rachel is determined to have a baby - in fact, she is prepared to risk everything to become pregnant: her marriage, her healthy, even her sanity. So can she prove the medical community wrong? Can she beat the demons inside her own head? Or will she have a terrible price to pay?

When Sam decides to drop the charges against her rapist, her friends and siblings gather to stage a Thanksgiving intervention.

"Entirely produced with an Amiga 1500 computer and supported by a haunting solo sax performance by British stalwart Lol Coxhill, What She Wants is a powerful and disturbing reflection both on the contradictory challenges of womanhood in capitalist societies living under the banner of sexual revolution and the increasingly dominant equivalence of status, commodity and sexuality. Using a starker design than the one applied in her famous 1997 work Death and the Mother, Ruth Lingford violently condenses some of the contesting anxieties, fears and aspirations that swarm around contemporary models of femininity, often short-circuiting efforts at completeness and integrity, while drawing a subtle critique of the growing intrusion of capital in the constitution and exercise of desire. Images of erotic abandonment clash with fertility demands; advertisements that explore the commodification of romance and monogamy co-exist with over-sexualized models of status, fitness and public desirability; motherhood threatens sexuality much in the same way that a fellatio becomes an act of infantophagy and a suckling baby is transformed into a raping wolf. Desire is thus besieged by circles of violence, as if conscience and psyche are under constant rape by capitalist courtship, so that a coin purse can be morphed into a bright red vulva or an ejaculating phallus. However, as "the market" has taught us, there is a price for everything and, where pleasure and cashflow can be equated, poverty can be a symbol of detumescence".

What She Said features some of the country's foremost female comics commiserating, venting, and speaking the truth about being a mother in these crazy times. Social media, time saving secrets, and no-nonsense attitudes come together for a real conversation - with lots of laughter - about the chaos of life and motherhood.

Three women - two wives of a criminals and their friend - try to stop their men from a great deal of robbing.